Stoppees' guide to photography & light what digital photographers, illustrators, and creative professionals must know
Brian & Janet Stoppee have incorporated their decades of daily, hands-on expertise at image-making plus their leading seminars and one-on-one training into the most comprehensive guide to photographic lighting available! It's impossible to be successful in photography without a mastery of l...
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| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, MA :
Elsevier/Focal Press
c2009.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627742006719 |
Tabla de Contenidos:
- Cover; Stoppees' Guide to Photography and Light; Copyright; Dedication; Contents; 1. The Color of Light; A Colorful Day of Sunlight; The Temperature of Light; The Year in Light; Light's Direction; What Your Eye Sees; How Your Brain Compensates; Color's Palette; Neutral Density Gray; Minimum Density: Super White; Maximum Density: Blackest Black; Angles of Incidence and Reflection; What's Seen... What's Hidden; Reflections; Surfaces and Textures Everywhere; Plenty of Highlights; Plenty of Shadows; Create a Highlight Control a Shadow; Brightness; Tone; Hue; Contrast
- Vibrant, Saturated, and Muted ColorsHigh-Key; Low-Key; Weather's Light; The North Light of a Painter's Studio; 2. Digital Exposure and Optics; The Exposure Trinity; Time, Sensitivity, and Volume; The Time Factor; Camera Movement, Shake, and Stabilization .; Be a Tripod; Freezing Action and Beautiful Blurs; Extended Exposure; Instead of Film Personality...; ...It's All About the Sensor; Sensitivity: the Iso Equivalent; Iso in Action: Choose the Proper Speed; Avoid Noise Enjoy Grain; Volume of Light; The Numbers on the Lens; What Lenses Do to Light; The Letters on the Lens; Ev: Exposure Value
- Autoexposure SettingsCamera Metering Methods; Exposure Locks; Exposure Compensation; Bracketing Exposure; Manual Through-The-Lens Metering; Depth of Field Expressions; Hyperfocal Distance = Maximizing Depth; Visual Economy; Equivalent Focal Length; Fisheye to Ultra-Wide Views; The Wide-Angle Perspective; What's Optically Normal?; The "Fast" Lens; The "Portrait" Lens; Telephoto Compression; The Ultra-Telephoto Eye; Macro Vantage; Bending Light, Bending Objects; Balancing Light to White; The Color Moods of White Balancing; Bracketing Color; Mired Shift; Visualize Angles of View
- Light and PerspectiveWide and Narrow Luminance Ranges; Diffraction and Image Crispness; Viewfinder Screens and Your Eye; Area Modes; Focus Modes and the Power of Manual; 3. Measuring Light and Color . .; Light Meter Skills; Incident Readings; Light Source Size and Distance; The Inverse Square Law; The Gray Card; The Flash Meter; Spot/Reflective Readings; Volume/Time Priority Metering and Ev; Light Ratios for Multiple Light Sources; Color Metering; 4. Light, Color, and Use; The End Use Determines Everything; Color Models; Color Gamuts and Working Spaces; Color Depth
- File Format and the End ResultUnderstand Image Size; Upsampling and Downsampling; 5. Preproduction Smarts; Paper Planning and Tear Sheets; Scouting and Electronic Planning; Manage Memory on Location; Data Storage and Backups; Synchronize Color; See All the Color; Calibrate a Monitor; Control Print Color; On Location with Cameras; On Location with Computers; On Location with Lighting; Location Responsibilities; 6. Raw Files and Scanned Films. .; Bridge: the Metadata; The Raw File Advantage; The Adobe Camera Raw Environment; Histograms in Camera; Histograms in Camera Raw; White Balancing
- Temperature and Tint
