Grammar of the edit
Learn the basic ""grammar"" of editing films and videos in Grammar of the Edit! This book shows you in no uncertain terms (independently of software) what you absolutely need to know to edit your video production. Whether you are just learning how to edit or you need a refresher,...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, Mass. :
Focal Press
2013.
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| Edición: | Third edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627704306719 |
Tabla de Contenidos:
- Cover; Title; Copyright; Contents; Acknowledgments; Introduction; Chapter One - Editing Basics; A Very Brief History of Film Editing; What Factors may Affect Your Editing Choices?; The Tools; Project Type and Genre; Degree of Audience Manipulation; The Basic Edit Transitions; Stages of the Editing Process; Chapter One - Review; Chapter One - Exercises & Projects; Chapter One - Quiz Yourself; Chapter Two - Understanding the Visual Material; Basic Shot Types; Shot Descriptions; Shot Categories - Increasing Complexity of Images; Simple Shots; Complex Shots; Developing Shots
- Selecting the Best ShotsWhat Could Make or Break a Shot? Criteria for Assessment; Focus; Audio Quality; Exposure and Color Temperature; Framing and Composition; Screen Direction; 180 Degree Rule/Axis of Action; 30 Degree Rule; Matching Angles; Matching Eye-line; Continuity of Action; Continuity of Dialogue; Performance; Be Familiar with All of the Footage; So How Does All of This Help You?; Chapter Two - Review; Chapter Two - Exercises & Projects; Chapter Two - Quiz Yourself; Chapter Three - When to Cut and Why; What Factors Lead to Making an Edit?; Information; Motivation; Shot Composition
- Camera AngleContinuity; Is There a Right or Wrong Reason for a Cut?; Chapter Three - Review; Chapter Three - Exercises & Projects; Chapter Three - Quiz Yourself; Chapter Four - Transitions and Edit Categories; The Cut; The Dissolve; The Wipe; The Fade; The Five Major Categories of Edit Types; The Action Edit; The Screen Position Edit; The Form Edit; The Concept Edit; The Combined Edit; Does Everything Always Apply?; Chapter Four - Review; Chapter Four - Exercises & Projects; Chapter Four - Quiz Yourself; Chapter Five - Editing Terms and Topics; Additional Editing Terms
- Sync Sound and Counting TimeMontage; Parallel Editing; Multi-camera Editing; Composite Editing; Rendering; Chromakey; Video Resolution; Additional Editing Topics; Sound; Color Correction; Importing Still Images; Digital Workflow; Technology vs. Creativity; Chapter Five - Review; Chapter Five - Exercises & Projects; Chapter Five - Quiz Yourself; Chapter Six-Working Practices; Chapter Six - Review; Chapter Six - Exercises & Projects; Chapter Six - Quiz Yourself; Chapter Seven - Key Take-Aways for New Editors; Sound and Vision are Partners; A New Shot Should Contain New Information
- There Should Be a Reason for Every EditPacing Has a Purpose; Observe the Action Line; Select the Appropriate Form of Edit; The Better the Edit, the Less it is Noticed; Editing is Manipulation; The Role of an Assistant Editor; Editing is Creating; In Conclusion; Chapter Seven - Review; Chapter Seven - Exercises & Projects; Chapter Seven - Quiz Yourself; Appendix A - Helpful Resources for the New Filmmaker; Appendix B - Essential Crew Positions for Motion Picture Production; Appendix C - Practice Script; Glossary; Index
