Film as Embodied Art Bodily Meaning in the Cinema of Stanley Kubrick
How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this b...
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| Formato: | Electrónico |
| Idioma: | Inglés |
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Boston, MA
Academic Studies Press
2019
Boston, MA : [2019] |
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| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009432693606719 |
| Sumario: | How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity. |
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| Descripción Física: | 1 online resource (264 p.) |
| ISBN: | 9781644691137 |
