Film festivals from European geopolitics to global cinephilia
<div><div>The film festival has come a long way from its relatively humble origins in Venice in 1932 - when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract di...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press
2007.
|
| Colección: | Film culture in transition.
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009427555206719 |
Tabla de Contenidos:
- Introduction : film festivals as sites of passage
- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit
- 2. Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands
- 3. Venice and the value-adding process : the role of mediation, segregation and agenda setting
- 4. Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events
- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network.
