The Idea of the Labyrinth from Classical Antiquity through the Middle Ages

The Idea of the Labyrinth from Classical Antiquity through the Middle Ages

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Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective-the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, ar...

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Detalles Bibliográficos
Autor principal: Doob, Penelope Reed (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Ithaca : Cornell University Press 1990.
Materias:
Labyrinths in art.
Literature, Medieval > History and criticism.
Classical literature > History and criticism.
Labyrinths in literature.
Electronic books.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009419757206719
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • List of Plates
  • Acknowledgments: Four Labyrinths
  • Abbreviations
  • Introduction: Charting the Maze
  • PART ONE. The Labyrinth in the Classical and Early Christian Periods
  • CHAPTER ONE. The Literary Witness: Labyrinths in Pliny, Virgil, and Ovid
  • CHAPTER.TWO. The Labyrinth as Significant Form: Two Paradigms
  • CHAPTER THREE. A Taxonomy of Metaphorical Labyrinths
  • PART TWO. The Labyrinth in the Middle Ages
  • CHAPTER FOUR. Etymologies and Verbal Implications
  • CHAPTER FIVE. Mazes in Medieval Art and Architecture
  • CHAPTER SIX. Moral Labyrinths in Medieval Literature
  • CHAPTER SEVEN. Textual Labyrinths: Toward a Labyrinthine Aesthetic
  • PART THREE. Labyrinths of Words: Central Texts and I ntertextualities
  • CHAPTER EIGHT. Virgil's Aeneid
  • CHAPTER NINE. Boethius's Consolation of Philosophy
  • CHAPTER TEN. Dante's Divine Comedy
  • CHAPTER ELEVEN. Chaucer's House of Fame
  • APPENDIX. Labyrinths in Manuscripts
  • Index

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